Tag Archives: beat

KNEW YOU (Who is Dewey Steez?)

here’s some new stuff from DUI DOLLAR SIGN.

who is this chump? well…

ursa: so what’s this thing.

SD: well mkhhmm, if you take my name and switch the letters. and so on. plus it means “flow”.

ursa: flow?

SD: yeah, you know how rappers talk about flow?

ursa: right, but the name means flow?

SD: yeah, yeah, if you etymologize them words you find dewey is wet and steez flows. but we’re done that. now we’re called dui dollar sign. no caps. never any caps.

ursa: my mistake.

SD: yeah and its super fitting and sorta matches everything that’s been going on. dui dollar sign is also flow.

ursa: oh! like draft and cash…

SD: yeah something like that. and you know how people are re-branding themselves all the time. this works for rapping. and steez rhymes with please. and dui was neat, i’ve had one, and instead of being stupid and making my name $teez, i took “dollar sign”.  i haven’t seen there to be any specific word for that symbol.

ursa: …tell me about this track.

SD: well i often blatantly steal ideas from people. in this case i was stealing some minimal funk stuff from prince and it ended up sounding more like the disco-housey-whatever stylings of jamiroquai. like especially when the bass gets busy and then even more when the synthy thing comes in at 2:40 doing this pan thing. it’s playing these bizarre chords on top of that ostinato bass. very cool. very… jamiroquai. like post disco. and my gf was all “sounds like robots”. i was very happy about that. i mean i wrote this years ago. like sep 2010? and there’s a vocal idea for it as well. but it’ll be tricky fitting it in.

ursa: why come?

SD: well when mixing there needs to be space for the voice to sit and this mix is a little heavy in those areas, but that’s fine.

ursa: esplain a tad deeper, sir.

SD: well the voice core, which is the part that people really HEAR [the words], yknow, the part where they tell you to sing louder? the bit above that nasally sound? it sits like between i don’t know, 2000 up to like 4000hz, is being covered by other instruments. you can hear the space in the 500 range where the voice um, notes would be and your ears might even think there are bits missing from the music, well that’s what’s missing.  I really had this huge funk outfit idea for the track but production is hard and i doubt we’ll get around to it, so i post as an instrumental. my friend and musical partner jeanette robertson and i have a hilarious demo of autotune on the original of this track that i will likely lift the melody from, i mean i don’t know if i’ll ever have time for that though. and even then the tune would need to be extended like twice as much?

ursa: why twice as long?

SD: have you heard funk tracks? fuck they could go all night! you don’t have to change the track till people stop dancing. shit the only reason mine is so short is cuz there’s no vocals. I’d probably even save that bad ass guitar solo thingy for much later if there were.

ursa: send me some thingies with vocals next and we’ll discuss more.

interview by ursa urn

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The Beat Came Back

It’s been a while since B has submitted something so recently drawn. It belongs under the Sleep Project. If memory
serves, these “sleep” illustrations span 2008-present.
band bpm


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